The Collection
Objects shaped by nature.
Finished by hand.
A quiet collection of wood and resin objects, made slowly in Dak Nong.
An editorial collection
The form already exists.
Each object begins with what is already present: a grain, an edge, a fracture, or the remembered movement of water.
Our work is not to overpower the material, but to follow its direction and reveal a form that feels inevitable.
Featured Objects
Three expressions of the same flow.
Object 01
River Table
A natural edge held together by a quiet current. Every line is composed around the wood that arrived at the studio.
Object 02
River Clock
Time moves through walnut and resin. The circular form holds a landscape that changes with every shift of light.
Object 03
Flow Tray
A small landscape for everyday rituals. Quiet proportions allow grain, edge, and resin to remain the focus.
Material Philosophy
The material leads.
Black walnut carries warmth, movement, and the quiet evidence of time. We preserve its live edges, tonal shifts, knots, and irregularities.
Resin is introduced with restraint. It follows the timber rather than correcting it, creating depth without taking away the wood’s voice.
Craft Process
From material to object.
- 01Wood
- 02Selection
- 03Resin
- 04Hand Finish
- 05Finished Object
The Studio
Made slowly in Dak Nong.
Every Da Yang object moves through the same quiet workshop, from the first reading of the grain to the final hand finish.
Journal
Notes on material and making.
Following the natural edge
Why the most expressive line is often the one the tree has already drawn.
The depth of clear resin
Light, stillness, and the subtle work of making transparency feel alive.
Flow held in form
A study of movement, restraint, and the spaces where two materials meet.
Begin a conversation